Anvil Press

Contemporary Canadian Literature with a Distinctly Urban Twist


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cover for Afflictions

Afflictions & Departures

By Madeline Sonik

Afflictions & Departures is a collection of first-person experiential essays. However, this is not the realm of traditional memoir—in addition to incidents and feelings recaptured from memory, Sonik seeks out connections between the microcosm of the daily events of her childhood and adolescence, and the social, historical, and scientific trends of the time.

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Cover of A Credit To Your Race

A Credit To Your Race

By Truman Green

Set in Surrey, BC circa 1960, A Credit to Your Race is a story about innocent love awakening between a fifteen-year-old black porter’s son and the white girl next door. The novel is a disturbing and convincing portrayal of how the full weight of racism and bigotry came to bear on a youthful, interracial couple.

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Cover of The Devil You Know

The Devil You Know

By Jenn Farrell

These stories deal with sex, love, work, birth, and death in alternately moving, shocking, funny, and at times devastating ways. Whether these characters are facing the death of a parent, bad love choices, the possibility of unwanted pregnancy, the rupture of friendships, teen violence, or the exploration of sado-masochistic sex, Farrell exposes their ticking cores and pulls the reader along every step of the way.

“Farrell excels at very short, sharply realized tales that display a startling repertoire of styles and structural innovations.”
Vancouver Review

Make no mistake; The Devil You Know belongs on the shelf alongside Nights Below Station Street.
— Elizabeth Bachinsky

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Cover for Exit

Exit

By Nelly Arcan (translated by David Scott Hamilton)

Exit is at once a profound examination of what it is that drives someone to want to end their life, as well as how that urge can be turned on its head against all odds. Written with her signature brio and acerbic wit, Nelly Arcan’s last novel is a hymn to life.

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Cover for Galaxy

Galaxy

By Rachel Thompson

Galaxy is “emotional biography”—as Magaret Laurence called it—(Sometimes I have breathed flame, / I admit that my words—provoked— / have burned) where the facts are fabricated (“tell it slant,” said Emily Dickinson), but the feelings are authentic.

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