“The Sound of Whales is a lyric-comedy about language, our obsessive reliance upon it, and how linear thought can inhibit understanding. David MacLean’s play has its roots in his personal experience in dealing with governmental, educational, and medical bureaucracies. The frustration the playwright expresses toward these institutions is balanced by the love and devotion a father feels for his son. The Sound of Whales is at once tender and angry, intimate and universal.”
— Robert Garfat, from ”A Director’s Analysis.”

The year is 1964 and first-time film director Alan Schneider is about to embark on a project combining the talents of Buster Keaton and Samuel Beckett.
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Four disparate people confront each other, their memory and their responsibility at the emergency room of a hospital when brought together by the crisis of a teenager suffering a psychiatric episode.
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True Mummy is a compelling drama, which presents provocative ideas and poses difficult questions connected to issues of life and death, morality and art, ritual versus utilitarianism, and the “opposing concepts of creation and desecration.”
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