Kevin Spenst’s much-anticipated debut collection of poetry opens as a coming-of-age narrative of lower-middle class life in Vancouver’s suburb of Surrey, embroidered within a myriad of pop- and “post-Mennonite” culture.
Language is at play with sit-com sonnets, soundscapes of noise, videogame goombas, an Old-Testament God, teenage longing within the power chords of heavy metal, and the complicated loss of a father to schizophrenia. Jabbering with Bing Bong chronicles the heartbreaking and slapstick pursuit of truth in the realms of religion, mental health, and poetic form itself.
Praise for Jabbering with Bing Bong:
“Belief and disbelief rub up against each other in this startling and flawless debut collection. … These important poems do not redeem so much as allow the possibility of redemption.”
—Jen Currin, author of The Inquisition Yours
“Fearless, attentively probing, and sonically sharp, he is a rare counter-theosophist rhapsodist. Spenst’s Jabbering…is the work of a remarkable shepherd.”
—Sandra Ridley, author of The Counting House
“Kevin Spenst provides further proof that the best writing these days is in the practice of poetry. Hang on tight as you are winged deftly through the human strains…curiosity, sexuality, death, religion and striving—it’s all here.”
—Dennis E. Bolen, author of Black Liquor
“Kevin Spenst’s muscular vocabulary, vigorous pace and nimble references to cultural details enliven his exploration of topics ranging from adolescence to God to Fenris wolf.”
—Sarah Klassen, author of Journey to Yalta
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