Honeymoon in Berlin examines the extremes of human desire, and investigates the human fascination with limits, the line between courage and fear, life and death.

I Cut My Finger is Stuart Ross's first full-length poetry collection since his acclaimed Hey, Crumbling Balcony! Poems New & Selected (2003). The poems here show Ross's ever-expanding breadth, from his trademark humour and surrealism, to pointedly experimental works and poems of human anguish.
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Intensive Care isnt a medical survival story; its a yearlong reflection on how the imminence of death can enhance life. The grass gets greener. Confirmation that one is loved is exhilarating, more powerful than any drug.
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With its accessible style, this collection should appeal to a broad readership. Anyone who’s tried to write a poem about an object will be able to relate to the impossibility (and undesirability) of evoking a ‘thing’ outside of their own subjective relation to it. Inventory will be of particular interest to those who are familiar with the long and broad history of object poetry, including works by Francis Ponge, Robert Bly, Zbigniew Herbert, and Jorge Luis Borges.
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B.C. Book Prize Finalist
Ivanhoe Station is a début collection that rivets with poetic imagery as sharp as movie graphics. These poems address, in turn, social and political questions, while focussingcentrallyon a theme of transcendence.
