Weve all had good, bad, and sometimes ugly experiences on public transit. Exact Fare Only is an anthology of real life stories about heading out, heading back, and everything that happened in between, whether the trip was across the country or just across town.

Back with more, Exact Fare Only 2 is the follow-up collection of the weird, the wild and the wonderful of commuter literature. Whether by land, sea or air, public transit around the world says more about the human condition than many want to admit. These real-life tales, reflections, poems, and rants are required reading for commuters everywhere.
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The twenty contemporary writers featured in this anthology have one thing in common: a connection to British Columbia, to a specific time, landscape, or community in BC.
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Rimmer emerged as a young visionary in the late sixties with such startlingly original works as Square Inch Field and Migration. His films of the early seventies—Surfacing on the Thames, Variations on a Cellophane Wrapper, The Dance, and Seashore—drew much critical acclaim for taking structuralist film in new directions. After spending several years in New York city he returned to Vancouver in the mid-1970s and made Canadian Pacific and Canadian Pacific II, which helped establish him as one of the world’s most accomplished cinematic artists.
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Highly personalized and idiosyncratic, yet public places of mourning and memory, roadside shrines invite us to ask questions about their meaning and provenance. Sometimes referred to as Roadside Death Memorials, or RDMs, structures or installations of this kind have become commonplace in many parts of North America and elsewhere. The media plays significant attention to the RDM phenomenon and there are scholarly studies which focus on the social, legal, cultural, and psychological interpretations of their meaning. Folklorists, in particular, have struggled to understand RDMs in the context of widespread secularism. Unlike cemeteries, roadside shrines elude the religious ceremonial practices with which mourning was formerly imbued.
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