PRAISE FOR KASPOIT!
“…Reminds me of Burgess’ A Clockwork Orange in its inventive language and insular
world of violence; also Beckett and Mamet in the lowlife characterizations, back-andforth dialogue, and the sheer absurdity.”
—Myna Wallin, A Thousand Profane Pieces
“…compelling, sickening, and, ultimately, hits what is most likely closest to the truth about what happened there than anything else that’ll get out in the world. Kaspoit! puts me in mind of A Clockwork Orange (the book), for its neologisms and violence/bleakness, and Pulp Fiction (the movie) for the unrelenting violence, so
much so that we become inured to it.”
—Janis Harper, Body Breakdowns
“…there is a well-executed gloom that maybe owes a tip of the hat to Harry Crews or
Flannery O’Connor, or maybe a drunken Hawthorne. The dialogue never grinds or
presents an obstacle—it runs smooth, which is a must considering its importance
to the story. In many ways it is the story.”
—Phillip D. Alexander, The Next Rainy Day
A strangely unified collection, unsettling and surprising, Knucklehead resides where the lines between real and imagined blur. Giles’s penetrating view and unsentimental honesty shape these stories and push the reader’s expectations of the “ordinary.” These are mature and compelling narratives that encapsulate everything great about short fiction. They freeze a moment, but upon closer examination reveal something more, a message that resonates long after that story has been read.Read More
Long Ride Yellow is the debut novel from two-time Journey Prize finalist Martin West. The novel explores the limits of sexual desire, personal choice and the edge of reality. Nonni is a dominatrix who likes to play. She hates to pay.Read More
Originally published in 1967 by McClelland and Stewart, Mirror on the Floor was the first novel from an emerging young writer named George Bowering. Now with over 100 publications to his credit, we are proud to be reissuing Bowering’s debut novel.
Set in Vancouver in the mid-1960s, Mirror on the Floor vividly evokes the Vancouver of that era, when neon signs still shimmered on the rain-soaked streets and Theatre Row bustled with excited movie-goers.
Monday Night Man is a back alley view of East Vancouver netherworlds. Horst Nunn, Ray Bunce, and Boyle Rupp are a trio of middle-aged, underemployed, intelligent “plungers” striving for redemption through humour and long shots at the track.